Konstakademiens bibliotek

Still life before still life
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Personnamn
  • Ekserdjian, David author. Författare/medförfattare
Titel och upphov
  • Still life before still life
Utgivning, distribution etc.
  • 2018 New Haven, CT : Yale University Press, 2018.
DDC klassifikationskod (Dewey Decimal Classification)
  • 758.409
  • 750
SAB klassifikationskod
  • 758.409
  • 750
  • Ibv
  • Ie
Annan klassifikationskod
  • Ibv
  • Ie
Fysisk beskrivning
  • 256 pages color illustrations 28 cm
Fysiskt medium
  • 28 cm
Anmärkning: Bibliografi etc.
  • Includes bibliographical references.
Anmärkning: Innehåll
  • Flowers -- Fruit -- Food and table tops -- Objects -- Shelves and niches -- Vanitas, armour, and jewellery.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • This book illustrates the simple but important point that artists were fascinated by still life long before the true emergence of 'still-life painting' as an independent genre at the beginning of the seventeenth century. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.
ISBN
  • 9780300190175
  • 0300190174
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*520  $aThis book illustrates the simple but important point that artists were fascinated by still life long before the true emergence of 'still-life painting' as an independent genre at the beginning of the seventeenth century. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work. Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include paintings from Renaissance greats such as Da Vinci, Durer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthelemy d'Eyck and Ortolano.
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